Orlando (1992)
Thursday, January 29th, 2009What a fantastic film. I know I’m a little behind, just watching this film now, but I suppose it is good that I waited until I could truly appreciate it. So many elements converged in perfect harmony to make it what it was. The acting was illuminating (perhaps with the exception of Billy Zane, but hey, he suited his purpose). The music was so original and compelling. The costumes were breathtaking. The story was poignant and magical.
Above and beyond all this, there were two additional cards this film brought to the table that truly set it apart in my eyes. The first is that curious and uncommon devise of the characters directly addressing the audience. The second, found in the formal elements as well as the story itself, is the illumination of the beauty of androgyny.
When that fourth wall is broken down at just the right moment it can be a truly exhilarating experience. Sometimes it is comical, as in the old merrie melodies cartoons. Brecht used it to invoke creative thought towards his work from the audience. Along these lines, it can be quite frightening as seen in Funny Games (another truly brilliant film by the way). But when Orlando addresses the audience we are pulled into her world (for simplicity’s sake I will use the pronoun her, although for the first half of the film Orlando is a he). We become her secret friend, while at the same time breaking the voyeuristic relationship present in most mainstream cinema. We are not simply watching, looking at her mind and body without her consent, she is showing us. As a feminist and a female filmmaker (a rare breed indeed), I find this relationship very refreshing, beautiful, and profound.
The focus on the beauty of androgyny is omnipresent in the film. It extends further than the character of Orlando. We are living in a society where there is no leg room for gender roles. You are masculine or you are feminine, an in-between state cannot exist, let alone be beautiful. A man cannot show up for work in a dress, a woman cannot be considered heterosexual with a shaved head. And I speak from the perspective of a Californian, to many other states that means crazy liberal. This film however, embraces the exploration and movement between gender, and sex for that matter.
Three cheers for this film!

